Fuerza Regida’s ‘Pero No Te Enamores’: All 15 Tracks Ranked

“I look like Young Miko, I like chicks,” JOP sings in Spanish, sardonically, against a pulsating Jersey club beat, while playfully blowing kisses to the mic. There is, however, an unexpected sonic transition three-quarters into the track that significantly amplifies the overall vibe.

Not only does JOP slip in and out of different styles throughout the set, he does so in songs as well. In “Ale,” the almost-soothing acoustic guitar plucks fade mid-song, allowing reggaetón drums to fully take over.

Excess, parties and superficial relationships: “Belinda” stands out as one of the few traditional-leaning corridos on the album, delving deep into the band’s hedonistic escapades. This track offers an unfiltered glimpse into Fuerza Regida’s world of debauchery, capturing its full indulgence in pleasure-seeking exploits.

Don’t be fooled by a slow start to “Kylie” — it quickly picks up speed, turning into a spellbinding Jersey club track that promises to transform into an anthem.

“Bella” epitomizes the unique mix of Jersey corridos, merging EDM with acoustic guitar in a seamless fusion. With the creative prowess of producers Gordo, Rabba, Charly and JOP himself, the track accomplishes what seems unimaginable, electrifying the main room with horns. Throughout the song, JOP croons to a captivating “bella” love interest, crafting an atmosphere of pure delight.

JOP leans on a bouncy trap/hip-hop beat for his team-up with Bellakath. The sound is innovative, the raunchy lyrics not so much.

Infused with the electrifying essence of house music, Fuerza Regida collaborates with the celebrated Dutch DJ Afrojack to ignite the dance floor, drawing inspiration from the neon-hued ’90s era. Featuring an array of dynamic drops and euphoric beats, “Fvck” is designed to turn up the nightlife scene.

Perhaps the most personal track on the album, “Jesus,” a nod to JOP’s first name, is a stripped-down, guitar-first song where he brags about carrying loads amount of money and being surrounded by girls who look like Bratz dolls.

This intro track sets the stage for the album’s innovative fusion, and marks a new direction for the band. Featuring a Jersey club beat pattern and synths, the song exudes a raunchy vibe, where the band’s frontman flaunts his provocative f–ck boy charisma as he sings about admiring girls with a big “qlo.”

JOP flaunts his versatility in this reggaetón bop with Maluma and Gordo. It’s a head-turning track, because you almost don’t expect a reggaetón cut in the set — but, safe to say, we were pleasantly surprised.

Not many Spanish-language drill tracks have broken into the mainstream yet. But “Freestyle” carves out its niche as a gritty testament to JOP’s deep-rooted affinity with the genre — a raw fusion of his Mexican American identity and the stark, unfiltered ethos of East Coast drill. “The song was like 90% freestyle,” JOP articulated to Billboard Español during its recording process. This track not only underscores his versatility but also echoes his American upbringing, while pushing musical boundaries.

If you’re looking to get lost in a track, this one is it. “Sofia” is a form of musical escapism, powered by subtle electronic beats that aren’t too in-your-face. The simplicity of this song is what makes it a stand out track.

Blending corridos-style guitars, horns and an infectious dance beat, “Secreto Victoria” is a homage to women in lingerie. Admiring the sensuous spirit of a Victoria’s Secret runway, JOP serenades with a provocative line, “Mamita, tu vas al gym pa’ ponerte más mamasita,” celebrating the dedication of women who sculpt their bodies to even greater allure. This track not only captivates with its rhythm but also charms with its cheeky nod to the iconic lingerie brand.

If you’ve made it to the very end of the album, after all the head-bobbing and riveting jersey corrido anthems, you’ll find it almost comforting that JOP closes with this super chill, laid-back track powered by sierreño-like guitars, where he’s blunt and raw about how elusive he can be in relationships. “Just don’t fall in love,” he warns.

If anyone was outraged about Fuerza Regida’s radical leap into uncharged sonic territory — Jersey corridos — “Nel” is bound to make them reconsider. Spanish slang for “Nah,” the track embodies the band’s bold, unapologetic ethos. The frontman sets the tone with a stirring plea, driven by a deep longing that might just be the catalyst for his disillusioned stance — the turning point in “pero no te enamores” (“but don’t fall in love”) where it all changes.

From the get-go, the production captures you, starting with a delicate, inviting tone before abruptly pivoting, sharply, into a throbbing club beat with a vigorous reggaetón thump. As the most standout track on the album, “Nel” not only challenges genre boundaries but also solidifies Fuerza Regida’s position as fearless innovators in the Latin music scene, unafraid to evolve and provoke.